And I am working on my presentation for the PMQG February BOM. Here is a sneak peak. Can you guess what it is? (I hope not - I want it to be a surprise!)
Michelle
Showing posts with label PMQG. Show all posts
Showing posts with label PMQG. Show all posts
Wednesday, January 30, 2013
WIP Wednesday: Hey, cut it out!
Heading over to my good friend Tanya's house in a few to work in her beautiful sewing space. I have a quilt project to cut out with a looming March 1 deadline and sometimes cutting is always more fun with a friend.
I did manage to get through lots of projects at the beginning of the week, including sewing the sleeve and label on the PMQG QuiltCon charity quilt. There was some serious finger stabbing involved in that project which has inspired me to get some new sharper quilting needles. Anyone have favorites out there? I am a thimble user, but I still poked around it because it is a habit I can't seem to break.
Susan and Heather have some great posts about this quilt. It really is a special one! I also need to sew the sleeve onto my quilt that was accepted into the QuiltCon quilt show today. Serendipity was smiling on me yesterday: Susan had a piece of the exact fabric I used for the back in her give-away pile!
And I am working on my presentation for the PMQG February BOM. Here is a sneak peak. Can you guess what it is? (I hope not - I want it to be a surprise!)
Happy WIP Wednesday! Head over to Freshly Pieced and see what everyone is up to today.
Michelle
And I am working on my presentation for the PMQG February BOM. Here is a sneak peak. Can you guess what it is? (I hope not - I want it to be a surprise!)
Michelle
Monday, April 2, 2012
The Bad-a** Block
Why is it that sometimes the things that seem the easiest also tend to be the most difficult? I spent my spring break trying to figure out how to make a quilt block. If you have done this before please let me know, because I am starting to think I might be a bit crazy! Okay, we already knew that, but seriously... a week for a simple (looking) block? Who knew!
Two months ago, Cathy Miller, co-founder of Michael Miller Fabrics, presented their new collection of Couture Cottons at the Portland Modern Quilt Guild. Thanks to Violet Craft (of Peacock Lane fame), they donated fabric for a guild challenge. We were challenged to make a 15 1/2" x 18 1/2" block using the fabrics and 16 of those blocks would be chosen to be featured in a quilt and shown in the Michael Miller booth at Quilt Market. Well, that sounded like fun so I kept an open mind and waited for inspiration to strike. That moment happened on a walk on the promenade in Seaside, Oregon.
Originally I noticed the cinder blocks in the wall in the foreground of the photo (those of you who know me know I have a weird obsession with cinder block bricks!) but then I started to stare at the wall in the background. I played around with the math in my head and in my mind it worked swimmingly. I was excited to get home and make the block.
The block needed to be precise, so I drew my plan using Adobe Illustrator. I created a page that was the finished size of the block (meaning no seam allowances) and built the block pieces to the sizes I thought would work. My theory worked perfectly and I moved onto a test block.
The plan was to cut 3 1/2" x 6 1/2" strips (or bricks) and use a quarter square rectangle technique for the grey triangles that fellow guild member Rachel Kerley had demonstrated at an all day sew. The technique was a bit of a brain tease, but it was really fun once I got the hang of it. The only problem was the rows kept coming out 1/2" smaller than planned. I was baffled so I decided to make a template. Same thing happened. I checked and rechecked my seam allowances but they measured out to 1/4". I showed the block to Nancy Stoval and Susan Beal and emailed my cousin Jan and pulled out my go-to Barbara Brackman book for help. I was getting frustrated so I gave up for the day. The next morning I decided to try adding 1/8" all around to my template. It didn't make sense mathematically but sometimes in sewing you have to add a bit of ease. I held my breath and sewed the row together. Success! It worked! But... The second time I made a row it shrunk 1/2" again. Huh?
I desperately wanted to figure this out but I was ready to quit. It was just a quilt block afterall. I could make a similar block using tumblers or flying geese but the fact of the matter was I would still HAVE TO DO THE MATH! Grr. The good news was that the guild had a second 'improv block' challenge and I now had plenty of scraps to cut up and use for that. Then it hit me. What if the fabric shrank slightly on the cross grain? I had cut some of the pieces with the long side on the length and some with it on the cross. Could it be? I did an experiment and by golly it was! The fabric seemed to shrink more when I cut it on the cross grain. Strange, I know - but that solved the problem.
To celebrate I made two improv blocks with my left over scraps.
Susan also has a terrific tutorial for how she made her challenge block on the PMQG blog. When I finished my block I texted her a picture of it. She wrote back that her husband said it was Bad-a**. Therefor I have aptly named my Seaside block the Bad-a** block. I have posted the template I made for it here. If you want to make this and have any questions please let me know. I certainly have had alot of practice making it! And, if you want to see what other guild members are making check out their work in the PMQG flickr group. They have come up with some terrific designs!
PS I did a little presentation on improv at the last PMQG meeting. There are some photos and slides from that posted here.
Two months ago, Cathy Miller, co-founder of Michael Miller Fabrics, presented their new collection of Couture Cottons at the Portland Modern Quilt Guild. Thanks to Violet Craft (of Peacock Lane fame), they donated fabric for a guild challenge. We were challenged to make a 15 1/2" x 18 1/2" block using the fabrics and 16 of those blocks would be chosen to be featured in a quilt and shown in the Michael Miller booth at Quilt Market. Well, that sounded like fun so I kept an open mind and waited for inspiration to strike. That moment happened on a walk on the promenade in Seaside, Oregon.
Originally I noticed the cinder blocks in the wall in the foreground of the photo (those of you who know me know I have a weird obsession with cinder block bricks!) but then I started to stare at the wall in the background. I played around with the math in my head and in my mind it worked swimmingly. I was excited to get home and make the block.
The block needed to be precise, so I drew my plan using Adobe Illustrator. I created a page that was the finished size of the block (meaning no seam allowances) and built the block pieces to the sizes I thought would work. My theory worked perfectly and I moved onto a test block.
The plan was to cut 3 1/2" x 6 1/2" strips (or bricks) and use a quarter square rectangle technique for the grey triangles that fellow guild member Rachel Kerley had demonstrated at an all day sew. The technique was a bit of a brain tease, but it was really fun once I got the hang of it. The only problem was the rows kept coming out 1/2" smaller than planned. I was baffled so I decided to make a template. Same thing happened. I checked and rechecked my seam allowances but they measured out to 1/4". I showed the block to Nancy Stoval and Susan Beal and emailed my cousin Jan and pulled out my go-to Barbara Brackman book for help. I was getting frustrated so I gave up for the day. The next morning I decided to try adding 1/8" all around to my template. It didn't make sense mathematically but sometimes in sewing you have to add a bit of ease. I held my breath and sewed the row together. Success! It worked! But... The second time I made a row it shrunk 1/2" again. Huh?
I desperately wanted to figure this out but I was ready to quit. It was just a quilt block afterall. I could make a similar block using tumblers or flying geese but the fact of the matter was I would still HAVE TO DO THE MATH! Grr. The good news was that the guild had a second 'improv block' challenge and I now had plenty of scraps to cut up and use for that. Then it hit me. What if the fabric shrank slightly on the cross grain? I had cut some of the pieces with the long side on the length and some with it on the cross. Could it be? I did an experiment and by golly it was! The fabric seemed to shrink more when I cut it on the cross grain. Strange, I know - but that solved the problem.
To celebrate I made two improv blocks with my left over scraps.
Susan also has a terrific tutorial for how she made her challenge block on the PMQG blog. When I finished my block I texted her a picture of it. She wrote back that her husband said it was Bad-a**. Therefor I have aptly named my Seaside block the Bad-a** block. I have posted the template I made for it here. If you want to make this and have any questions please let me know. I certainly have had alot of practice making it! And, if you want to see what other guild members are making check out their work in the PMQG flickr group. They have come up with some terrific designs!
PS I did a little presentation on improv at the last PMQG meeting. There are some photos and slides from that posted here.
Thursday, November 3, 2011
Jay McCarroll Habitat Challenge
A few months ago the Portland Modern Quilt Guild challenged each of the guild members to create a 12" finished block using fabrics from the Jay McCarroll Habitat collection. We were given fat eights of six different fabrics and we had a month to create our blocks. The president of our chapter then put out a second call: would anyone be interested in putting these quilts together. My hand went up immediately: I was excited to work on sampler compositions and really challenge myself to come up with something that reflected the vibe of our guild: modern, fun and fresh.
I lived with the blocks for a while before I came up with the sampler designs. They fell into two distinct camps: the first I decided was the 'motif' camp, blocks that used solids with the prints to create a dynamic design. The second camp were blocks that used the prints together and didn't use solids (or didn't use high contrast solids.) I decided to approach the 'motif' blocks using more of a traditional sashing/frame idea, and the print blocks I went for a more risky composition that I called the 'scrappy film strip.' Luckily Linda Nussbalm, a fellow guild member and blogger stepped in and offered to help. We both sewed our hearts out at the PMQG sew-day at Fabric depot and I finished the last parts of the project todayI am sending them off to Rachel, of Second Ave Studio (and also a guild member) to quilt.
I lived with the blocks for a while before I came up with the sampler designs. They fell into two distinct camps: the first I decided was the 'motif' camp, blocks that used solids with the prints to create a dynamic design. The second camp were blocks that used the prints together and didn't use solids (or didn't use high contrast solids.) I decided to approach the 'motif' blocks using more of a traditional sashing/frame idea, and the print blocks I went for a more risky composition that I called the 'scrappy film strip.' Luckily Linda Nussbalm, a fellow guild member and blogger stepped in and offered to help. We both sewed our hearts out at the PMQG sew-day at Fabric depot and I finished the last parts of the project todayI am sending them off to Rachel, of Second Ave Studio (and also a guild member) to quilt.
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